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JOHN COX’S CREATURE WORKSHOP
1978 – 2023
John Cox has more than 40 years experience in the visual effects industry and is the director of Australia’s leading effects company, John Cox’s Creature Workshop. State of the art services include digital laser scanning, digital sculpting, 3D printing and 5 axis CNC routing.
John Cox’s achievements include:
1995 Academy Award for Visual Effects for the movie ‘Babe’
1999 Elected a voting member of the Academy of Motion Picture Arts and Sciences
2006 Kinetone Award for ‘Significant contributions to the Queensland Film and Television Industry’
2007 Australian Film Industry (AFI) Awards winner for Visual Effects for ‘Rogue’
2007-2010 Queensland Smart State Creative Arts Ambassador
2002-2018 Patron of the Gold Coast Film Festival
PRODUCTION | HOUSE | COUNTRY | YEAR |
---|---|---|---|
Peter Rabbit 2 | Sony Pictures | USA | 2018 |
Dora the Explorer | Nickelodeon | USA | 2018 |
Aquaman | Warner Bros. | USA | 2017 |
Alien Covenant | Fox Films | USA | 2017 |
Thor: Ragnarok | Asgard Productions | USA | 2016 |
Gods of Egypt | Pyramania | USA | 2014 |
Narnia – Voyage of the Dawn Treader | Walden Media | USA | 2009 |
Oceans | Disney | FRA | 2009 |
Nim’s Island | Walden Media | USA | 2008 |
Love Story 2050 | Baweja Films | IND | 2007 |
Rogue | Emu Creek Pictures | AUS | 2006 |
Host | Chungeorahm Films | KOR | 2005 |
Siegfried | Constantine Films | GER | 2004 |
Racing Stripes | Alcon Entertainment | USA | 2003 |
Peter Pan | Universal/Revolution | USA | 2002 |
George of the Jungle 2 | Disney | USA | 2002 |
Scooby Doo | Warner Bros. | USA | 2001 |
Inspector Gadget 2 | Disney | USA | 2001 |
Crocodile Dundee in LA | Village Roadshow | USA | 2000 |
Komodo | Scan Box | USA | 1999 |
Pitch Black | Universal/Interscope | USA | 1999 |
Jackie Chan’s First Strike | Golden Harvest | USA | 1996 |
Babe | Universal | HK | 1995 |
Dead Calm | Kennedy Miller | USA | 1987 |
The Return of Captain Invincible | Seven Keys | AUS | 1981 |
‘How to Make a Monster’ Exhibition
‘How to make a Monster – the art and technology of animatronics’ is a ‘behind the scenes’ exhibition exploring all the skills and processes used to bring creatures and characters from the written page to the silver screen. Between 2004 – 2015 JCCW toured this interactive exhibition in the USA and Canada twice, New Zealand twice, all major cities of Australia, a number of major regional venues. Finishing at the National Museo de Cinema, Italy, How to Make a Monster hosted more than 3/4 million visitors.